Creation: Agrupación Señor Serrano / Direction and dramaturgy: Àlex Serrano, Pau Palacios / Direction and dramaturgy assistant: Carlota Grau / Performance: Carlota Grau, Laura Alcalá, Sara Montalvão, Bartosz Ostrowski / Local Dancers: Sahra Abbassi, Ayem Aopare, Katrina Bastian, Yuexuan Gui, Laura Müller, Rio Nichterlein, Michael Sellner, Kacper Szklarski, Noah Tepe / Holographic performance: Eva Torróntegui / Set design and costume: Xesca Salvà / Lighting design: Cube.bz / Music: Nico Roig / Holographic videos: David Negrão / Video morphing: Boris Ramírez / Video programming: David Muñiz / Stage management and performance: Camille Latron / Artificial intelligences used during the creation of the piece: GPT-3, Bloom, DALL·E, Stable Diffusion, Midjourney und FILM / Production coordination: Barbara Bloin / Executive producer: Paula S. Viteri / Management: Art Republic
“We need to find a new way of living together, in which the ‘I’ gives way to the ‘we’, in which individual well-being is inconceivable without shared well-being.” In “Una Isla”, Agrupación Señor Serrano from Barcelona take their statement as the basis for the search for this “we”. Who belongs to this “we” and who does not? Dancers try to find out in dialogue with artificial intelligence. Since the beginning of studies on AI in the 1950s, machine learning systems have been portrayed as a threat. How could this work differently? What if we invite artificial intelligence to imagine “us”, to imagine a place for “us”? What if we invite them to collaborate on the performance?
Cast
Dates
Past
Further Information
Visitor note
Notes:
17.10.: German surtitles
18.10.: English surtitles
After the performance on 17.10.: Çay ‘n’ Talk with Neslihan Arol
Neslihan Arol is a Berlin-Based director, performer, storyteller and academic from Istanbul, specialized in feminist dramaturgies and comedy. Together with her, HAU invites you to a casual and playful after-performance talk format. We look forward to discussing with you over some tea.
Credits
Production: Agrupación Señor Serrano. Co-Production: GREC Festival de Barcelona, Câmara Municipal de Setúbal, Rota Clandestina, Festival Internacional de Teatro de Expressão Iberica (FITEI), Centro Cultural CondeDuque, Laboratorio de las Artes de Valladolid (LAVA), CSS Teatro Stabile di Innovazione del Friuli-Venezia Giulia, TPE / Festival delle Colline Torinesi, SPRING Festival, Feikes Huis, Departament de Cultura de la Generalitat. In collaboration with: Ajuntament de Terrassa and Fabra i Coats Fàbrica de creació de Barcelona.
Location
HAU2
Hallesches Ufer 34, 10963 BerlinThere are two marked parking spots in front of the building. Barrier-free restroom facilities are available. Four relaxed seats are available in the first row of HAU2. Tickets for wheelchair users and accompanying persons can also be booked via the ticketing system. If you need help, please contact our Ticketing & Service team at +49 (0)30 259004-27 or send us an email to
tickets@hebbel-am-ufer.de.
Latest information for arrival:
There is currently a construction site on Hallesches Ufer between Wilhelmstraße and Möckernbrücke underground station. There is a divided replacement route for pedestrians (right) and cyclists (left), which are separated by a yellow ground line. The carriageway is narrowed to one lane.
Travelling to HAU2 via U Hallesches Tor:
If you are coming from Hallesches Tor underground station, you will have to use an alternative footpath from Wilhelmstraße / Hallesches Ufer junction, which is separated from the carriageway by a construction fence – the actual footpath is currently closed. Please note: the alternative route is also used by cyclists. Pedestrians should keep to the right. We therefore currently recommend that visually impaired or blind visitors come to the HAU with an accompanying person.
Arrival HAU2 via U Möckernbrücke:
When you leave Möckernbrücke underground station, please stay on the footpath on the canal side until you reach Hallesches Ufer / Großbeerenstraße junction – the opposite side is currently closed due to construction work.
