Concept: Simone Aughterlony, Phil Hayes / Performance: Simone Aughterlony, Phil Hayes / Dramaturgical advice: Constanze Schellow und Jorge León / Set Design: Janina Audick / Costumes: Judith Steinmann / Light Design: Florian Bach / Sound: Susanne Affolter / Technical Direction: Ursula Degen / Production Management: Anna Wagner
Simone Aughterlony & Phil Hayes
Show and Tell
Part of “The Biofiction Trilogy”
- Performance
- Dance
English /
75 min.
“Show & Tell” sets up an experiment that challenges the fragile relationship between what is said and what is done. Phil Hayes and Simone Aughterlony consider the supposed pecking order between these two modes of communication and establish a dialogical practice whereby sensing and sense making have equal status. What may initially seem like a forced separation is actually an invitation to the audience to experience two different kinds of attention. We encounter the (his)story of a body and a body evoking (her)story.
Phil and Simone do what they say, and they say what they do. This paradox is not redundant. It is a playful strategy. Starting from separate territories “Show & Tell” opens up a shared space for negotiation in which word and movement enter into a complex politics of interaction outside of habitual hierarchies. While she articulates as many bodies he tries to hijack the organism of the audience in a heartbeat. Contaminating his voice with her presence she is taken apart and away with its suggestive meandering.
Both storyteller as well as show(wo)man, she and he map out the generic hi/stories of a possible body that is never simply given as a whole, but steps into our consciousness mostly in moments of break down. This body is the silent protagonist, the imaginary third of this duet. Its biography inscribes in eloquent scars and significant sicknesses. It bleeds and heals, grows and falls apart – authentically spectacular. Or was it fantastically real?
After the performance on 19 April: Talk with with Bettina Knaup, Simone Aughterlony, Phil Hayes.
Cast
Dates
Past
Credits
Production: Simone Aughterlony / Verein für allgemeines Wohl. Co-production: HAU Hebbel am Ufer, La Bâtie - Festival de Genève, Gessnerallee Zurich.
Supported by: Stadt Zurich Kultur, Fachstelle Kultur Kanton Zurich, Pro Helvetia - Swiss Arts Council.
The re-run is funded by the Senate Department for Culture and Europe.
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Location
HAU2
Hallesches Ufer 34, 10963 BerlinThere are two marked parking spots in front of the building. Barrier-free restroom facilities are available. Four relaxed seats are available in the first row of HAU2. Tickets for wheelchair users and accompanying persons can also be booked via the ticketing system. If you need help, please contact our Ticketing & Service team at +49 (0)30 259004-27 or send us an email to
tickets@hebbel-am-ufer.de.
Latest information for arrival:
There is currently a construction site on Hallesches Ufer between Wilhelmstraße and Möckernbrücke underground station. There is a divided replacement route for pedestrians (right) and cyclists (left), which are separated by a yellow ground line. The carriageway is narrowed to one lane.
Travelling to HAU2 via U Hallesches Tor:
If you are coming from Hallesches Tor underground station, you will have to use an alternative footpath from Wilhelmstraße / Hallesches Ufer junction, which is separated from the carriageway by a construction fence – the actual footpath is currently closed. Please note: the alternative route is also used by cyclists. Pedestrians should keep to the right. We therefore currently recommend that visually impaired or blind visitors come to the HAU with an accompanying person.
Arrival HAU2 via U Möckernbrücke:
When you leave Möckernbrücke underground station, please stay on the footpath on the canal side until you reach Hallesches Ufer / Großbeerenstraße junction – the opposite side is currently closed due to construction work.
