Costume Design: Ingken Benesch / Concept and Direction: Gob Squad / Set Design: Amina Nouns / Performance: Johanna Freiburg, Sean Patten, Sharon Smith, Berit Stumpf, Sarah Thom, Bastian Trost, Simon Will, Damian Rebgetz und Tatiana Saphir / Lighting Design and Technical Management: Chris Umney, Max Wegner / Sound Design: Sebastian Bark, Catalina Fernandez / Dramaturgy and Production Management: Christina Runge / Video Design: Miles Chalcraft, Noam Gorbat / VR Consultancy, Development and Design: Joris Weijdom / Artistic Collaboration: Mat Hand / Directing Assistant: Valeria Germain / Costume Assistant: Simon Kernen / Set Design Assistant: Stella Nikisch / VR Assistant: Diede Tap / Directing Intern: Rodrigo Zorzanelli Cavalcanti / Management Gob Squad: Eva Hartmann / PR, Communications: Alexandra Lauck / UK Producer: Ayla Suveren
Gob Squad
1984: Back to No Future
- Theatre
German /
English /
90 mins.
“Who controls the past controls the future. Who controls the present controls the past.”
George Orwell: “Nineteen Eighty-Four”
Since the premiere of “1984: Back to No Future” at HAU had to be postponed due to the pandemic, Gob Squad return to HAU after the final rehearsals and travel back to 1984, back to the good old analogue days when life was simple and there were only three channels on TV. It’s a perilous journey: they might get lost in music, lost in nostalgia or both. But once they arrive, they discover their younger selves: caught up in the Cold War, fearful of nuclear catastrophe, trying to shape who they might become. As they sift through the fragments of their teenage bedrooms, they reconstruct their own personal past, and the music drags them into a psychedelic virtual world of disembodied avatars. Under surveillance and under pressure, they fight, dance, build a nuclear shelter and try to dismantle what may have been written into their programming codes. Were these teenagers in control of their bodies, their fate and their ability to change things? Or were they following ready-made templates, part of a larger plan? Can they re-programme their own story, and influence the currents of history? Or at least see it through different eyes? As Gob Squad warp time and go back to a past which saw ‘No Future’, are they able to shed light on the present, and gain a perspective on what lies ahead?
The new production follows in the tradition of other works by Gob Squad, which reimagine and recast YouTube videos, Hollywood films and Andy Warhol art movies. The project brings to a head the company’s ongoing examination of the mechanisms of power inherent in our image-saturated world and the relationship of personal experience to political reality. In Gob Squad’s work, everyday life and magic, banality and utopia, reality and entertainment are all set on a collision course. The audience is invited into a world of light and shadow to bear witness to an experiment in performative science-fiction and imaginary time-travel. Nothing less than the future itself is at stake…
Cast
Dates
Past
Notes:
Access to this event according to 2G plus regulation (fully vaccinated + tested negative on the same day OR triple vaccinated without additional test). It is compulsory to wear an FFP2 mask, also during the performance. The seating for this event is arranged in a chequerboard pattern. Please find our complete hygiene policy here.
Due to an extensive PCR testing regime for SARS-CoV-2, the performers can also move on stage in this production without minimum distance.
Credits
Production: Gob Squad. Co-production: HAU Hebbel am Ufer Berlin, The Public Theater NY (USA), Schauspiel Leipzig, Anuja Ghosalkar / Drama Queen & Goethe-Institut/Max Mueller Bhavan Mumbai (India), HELLERAU – European Center for the Arts Dresden, Sort / Hvid Copenhagen and Teater Momentum Odense (Denmark). Funded by the German Federal Cultural Foundation. Gob Squad is funded by: Berlin Senate Department for Culture and Europe.
Location
HAU2
Hallesches Ufer 34, 10963 BerlinThere are two marked parking spots in front of the building. Barrier-free restroom facilities are available. Four relaxed seats are available in the first row of HAU2. Tickets for wheelchair users and accompanying persons can also be booked via the ticketing system. If you need help, please contact our Ticketing & Service team at +49 (0)30 259004-27 or send us an email to
tickets@hebbel-am-ufer.de.Latest information for arrival:
There is currently a construction site on Hallesches Ufer between Wilhelmstraße and Möckernbrücke underground station. There is a divided replacement route for pedestrians (right) and cyclists (left), which are separated by a yellow ground line. The carriageway is narrowed to one lane.
Travelling to HAU2 via U Hallesches Tor:
If you are coming from Hallesches Tor underground station, you will have to use an alternative footpath from Wilhelmstraße / Hallesches Ufer junction, which is separated from the carriageway by a construction fence – the actual footpath is currently closed. Please note: the alternative route is also used by cyclists. Pedestrians should keep to the right. We therefore currently recommend that visually impaired or blind visitors come to the HAU with an accompanying person.
Arrival HAU2 via U Möckernbrücke:
When you leave Möckernbrücke underground station, please stay on the footpath on the canal side until you reach Hallesches Ufer / Großbeerenstraße junction – the opposite side is currently closed due to construction work.
HAU3
Tempelhofer Ufer 10, 10963 BerlinHAU3 unfortunately is not barrier-free. Access to the theatre is via a stairwell (3rd floor). If you need help, please contact our Ticketing & Service team at +49 (0)30 259004-27 or email us at tickets@hebbel-am-ufer.de.
