Concept & direction: andcompany&Co. (Alexander Karschnia, Nicola Nord, Sascha Sulimma) / Text: Alexander Karschnia, Luise Meier, Nicola Nord &Co. / Dramaturgy: Alexander Karschnia &Co. / Music: Sascha Sulimma mit Jan Brauer, Matthias Engler &Co. / Choreographic consulting: Jasmin İhraç / By & with: Hartmut Bartsch, Hildegard Bartsch, Jochen Bismark, Henry Bitter, Katharina Günther, Luise Meier, Brigitte Paulick, Peter Schauer, Edgar Walter, Regina Walter, Senior*innenchor PCK Schwedt / Stage: Lena Newton with Caroline Wächter / Costume: Franziska Sauer, Caroline Wächter / Costumes & costumes assistant: Caroline Wächter, Franziska Sauer / Lighting design: Rainer Casper / Video: Kathrin Krottenthaler and Fruzsina Jesse / Dramaturgy assistant: Verena Katz / Scientific consulting: Eva Renvert / Assistant director: Kasia Noga / Internship prop: Hanne Jannasch / Technical management: Marc Zeuske / Company management: Caroline Farke / Administration & communication: Rahel Häseler
andcompany&Co. feat. Arbeiter*innentheater
Neue Horizonte: Eternity für alle!
- Theatre
80 min.
Schwedt, “the city of the future”, the Silicon Valley of East Germany: in 1968, the workers of the petrochemical combine attempted revolution – the WTR (scientific-technical revolution). Here, computers were connected to each other for the first time. Computers were intended to manage the production in real time. “Comrades – let’s optimise ourselves!” was the motto. The market, however, soon took over control. Everyone continues to only optimise themselves.
Together with former members of the worker’s theatre from Schwedt, andcompany&Co. dedicate themselves to the effects of the digital revolution: the play “Horizonte” (Horizons) by Gerhard Winterlich and its adaptation by Heiner Müller had already concerned itself with “the introduction of electronic data processing in human relationships” (Heiner Müller) back in 1968/69. Fifty years later, the “marriage of man and machine” (Heiner Müller) no longer seems like science fiction; instead, it seems like a real option. And with it, both the extermination as well as the immortality of the species.
Cast
Dates
Past
Credits
Production: andcompany&Co. Co-production: HAU Hebbel am Ufer Berlin, Künstlerhaus Mousonturm Frankfurt am Main, HELLERAU Europäisches Zentrum der Künste, FFT Düsseldorf und Uckermärkische Bühnen Schwedt.
Supported by: Capital Cultural Fonds and Berlin Senate Department for Culture and Europe.
Location
HAU2
Hallesches Ufer 34, 10963 BerlinThere are two marked parking spots in front of the building. Barrier-free restroom facilities are available. Four relaxed seats are available in the first row of HAU2. Tickets for wheelchair users and accompanying persons can also be booked via the ticketing system. If you need help, please contact our Ticketing & Service team at +49 (0)30 259004-27 or send us an email to
tickets@hebbel-am-ufer.de.
Latest information for arrival:
There is currently a construction site on Hallesches Ufer between Wilhelmstraße and Möckernbrücke underground station. There is a divided replacement route for pedestrians (right) and cyclists (left), which are separated by a yellow ground line. The carriageway is narrowed to one lane.
Travelling to HAU2 via U Hallesches Tor:
If you are coming from Hallesches Tor underground station, you will have to use an alternative footpath from Wilhelmstraße / Hallesches Ufer junction, which is separated from the carriageway by a construction fence – the actual footpath is currently closed. Please note: the alternative route is also used by cyclists. Pedestrians should keep to the right. We therefore currently recommend that visually impaired or blind visitors come to the HAU with an accompanying person.
Arrival HAU2 via U Möckernbrücke:
When you leave Möckernbrücke underground station, please stay on the footpath on the canal side until you reach Hallesches Ufer / Großbeerenstraße junction – the opposite side is currently closed due to construction work.
