Whether it be unique lives, or deeply-embedded stories, Mariano Pensotti has a gift for storytelling. “La Obra” tells the story of Simon Frank, a Polish Jew who escaped from the Nazi camps before settling in a remote village in Argentina in the early 1960s. One day, he starts a strange project: he rebuilds his home – not to move in, but as the starting point for a theatre play to re-enact his former life. The scenography extents all around the house, to become the streets of Warsaw, and the villagers, initially spectators, begin to take part in the shows as performers. The play is a great success. Until, one day, all is revealed: Simon Frank is not who he pretends to be. What can be done with this story? Make a play out of it, of course. A piece within a piece is created. The audience is transported by a spe(cta)cular, vertiginous staging, to the extent that it has great difficulty in unravelling the true from the false.