Meg Stuart / Damaged Goods & Dance On Ensemble

GLITCH WITCH

  • Dance

In “GLITCH WITCH”, choreographer Meg Stuart, dancer Omagbitse Omagbemi, and composer/musician Mieko Suzuki meet in a sparklingly desolate, enigmatically burned-out landscape. Moving within and beyond the personal histories imprinted on their bodies, they glide and glitch between different possible worlds—between above and below, between the before and after of every passing moment.

While trying to break the spell of personal and ancestral memories that keep them apart, they search for a not-yet-existent shared language. In their quest, a pulsating progression of shimmering, mutable dances unfold. Within this series of overlapping movement patterns, the three women gradually uncover a shared (witch)craft: a resonant force of mutual transformations and a vulnerable ritual of solidarity that elevates them above their differences. Glitches emerge at the volatile points of their encounters, becoming a growing vocabulary of resistance and surrender, a collective chant that disrupts all enchantments.

This performance was created as part of a collaboration between Meg Stuart/Damaged Goods and the Berlin-based Dance On Ensemble, which works with dancers over the age of 40. Within their Encounters series, the company is launching new performances where the choreographer is visible as a dancer, engaging with a dancer from the Ensemble.

Cast

Choreography: Meg Stuart / With: Omagbitse Omagbemi, Meg Stuart, Mieko Suzuki / Live music: Mieko Suzuki / Dramaturgy: Igor Dobričić / Scenography: Nadia Lauro / Light design: Nico de Rooij / Costume design: Claudia Hill in Zusammenarbeit mit den Performer*innen / Artistic assistence: Valentin Braun, Luna Luz Sanchez / Costume assistance: Kahori Furukawa, Juliane Längin / Technical coordination: Tom De Langhe / Sound: Vagelis Tsatsis / Light: Nico de Rooij / Stage management: Matty Zighem / Production management: Hélène Philippot

Dates

Current
  • German premiere
    Thu 30.1.2025, 20:00 / HAU2
  • Fri 31.1.2025, 20:00 / HAU2
  • Sat 1.2.2025, 20:00 / HAU2
Notes:

After the performance on 31.1.: Artist Talk 

Credits

Production: Damaged Goods, DANCE ON / Bureau Ritter. Co-production: HAU Hebbel am Ufer, Théâtre Garonne – scène européenne Toulouse, Centre Chorégraphique National d’Orléans – Direction Maud Le Pladec, Tanzquartier Wien, PACT Zollverein Essen, Kunstencentrum VIERNULVIER Ghent, Perpodium. Supported by: Goethe-Institut, tax shelter measure of the Belgian Federal Government via Cronos Invest. Residency in Orléans supported by: Culture Moves Europe, a project funded by the European Union and Goethe-Institut.

Damaged Goods is supported by the Flemish Government and Flemish Community Commission. Meg Stuart/Damaged Goods is artist-in-residence at Kunstencentrum VIERNULVIER (Ghent).

DANCE ON is a project by Bureau Ritter gUG, funded by the German Federal Government Commissioner for Culture and the Media, the Berlin Senate Department for Culture and Social Cohesion and co-funded by the Creative Europe programme of the European Union as part of DANCE ON, PASS ON, DREAM ON.                                           

Location

HAU2
Hallesches Ufer 34, 10963 Berlin

There are two marked parking spots in front of the building. Barrier-free restroom facilities are available. Four relaxed seats are available in the first row of HAU2. Tickets for wheelchair users and accompanying persons can also be booked via the ticketing system. If you need help, please contact our Ticketing & Service team at +49 (0)30 259004-27 or send us an email to
tickets@hebbel-am-ufer.de.

HAU3000 / Positions, Projects, Publications

The Glowing Room

Text by Hendrik Otremba.

An Introduction to “Collectivize Facebook”

By Jonas Staal

“Collectivize Facebook” is a lawsuit aimed to turn Facebook into public property, initiated by artist Jonas Staal and lawyer Jan Fermon. Read here Staal’s introduction to the project.

“Manifestos for Queer Futures”

Video Documentation

As part of the festival “The Present Is Not Enough – Performing Queer Histories and Futures”, HAU initiated an open call for artists based in Berlin, who were invited to submit proposals for their Manifestos for Queer Futures.